{"id":9818,"date":"2023-11-13T15:06:38","date_gmt":"2023-11-13T14:06:38","guid":{"rendered":"https:\/\/www.elisabalbo.com\/carmen\/"},"modified":"2024-09-13T16:49:38","modified_gmt":"2024-09-13T14:49:38","slug":"carmen","status":"publish","type":"post","link":"https:\/\/www.elisabalbo.com\/en\/carmen\/","title":{"rendered":"Carmen"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”2%” constrain_group_2=”yes” right_padding_desktop=”2%” top_margin=”15%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”center” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_column_text]\n

Carmen<\/h1>\n

GEORGES BIZET<\/p>\n

3, 7, 10 October 2019<\/p>\n

Ravenna Festival – Teatro Dante Alighieri<\/p>\n

 <\/p>\n

7, 9 February 2020<\/p>\n

Teatro Comunale di Ferrara<\/p>\n

 <\/p>\n

21, 23 February 2020<\/p>\n

Teatro del Giglio di Lucca<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_margin=”8%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_column_text]\n

Conductor Vladimir Ovodok
<\/b>Director: Luca Micheletti
<\/b>Set designer : Ezio Antonelli
<\/b>Light designer: Vincent Longuemare
<\/b>Costum designer: Alessandro Lai<\/b><\/p>\n

Orchestra Giovanile Luigi Cherubini
Coro Luigi Cherubini e Coro Lirico Marchigiano Vincenzo Bellini
<\/b>Chorus Master: Antonio Greco
<\/b>Coro di voci bianche Ludus Vocalis
Chorus Master:Elisabetta Agostini<\/strong><\/p>\n

DanzActori Trilogia d\u2019Autunno
Choreographer: Lara Guidetti<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]cast<\/strong><\/p>\n

Don Jos\u00e9: Antonio Corian\u00f2
\n<\/b>Escamillo: Luca Micheletti \/ Andrea Zaupa
\n<\/b>Le Danca\u00efre: Rosario Grauso
\n<\/b>Le Remendado: Riccardo Rados
\n<\/b>Moral\u00e8s: Christian Federici
\n<\/b>Zuniga: Adriano Gramigni
\n<\/b>Carmen: Martina Belli \/ Clarissa Leonardi (10)
\n<\/b>Mica\u00ebla: Elisa Balbo
\n<\/b>Frasquita: Alessia Pintossi
\n<\/b>Merc\u00e9d\u00e8s: Francesca di Sauro
\n<\/b>Lillas Pastia: un guide: Ivan Merlo
\n<\/b>Andr\u00e8s: Luca Massaroli
\n<\/b>Un boh\u00e9mien: Ken Watanabe
\n<\/b>Une marchande: Yulia Tkacenko<\/b>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”2%” constrain_group_2=”yes” right_padding_desktop=”2%” top_margin=”1%” bottom_margin=”4%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”center” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_column_text]\n

Op\u00e9ra-comique in three acts by Georges Bizet
libretto by Henri Meilhac and Ludovic Hal\u00e9vy.
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Reviews<\/h1>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1699885253929{padding-bottom: 30px !important;}”]\n

“Eccellente Elisa Balbo nel ruolo di Mica\u00ebla. La sua vocalit\u00e0 flessuosa, ma sorretta da un fuoco sottile (e con la possibilit\u00e0 di un piano <\/i>capace di far stare con il fiato sospeso un teatro intero), ben si sposa con un personaggio dal potente dualismo: candida e innocente, certo, ma di una personalit\u00e0 tanto intensa da poter rivaleggiare colla stessa Carmen. Fin troppo spesso Mica\u00ebla \u00e8 stata associata a una figurina spenta e di poco interesse; l\u2019interpretazione di Elisa Balbo ha finalmente restituito a Mica\u00ebla lo spessore che di solito le viene negato.” <\/p>\n

Operaclick (Lucca)<\/strong><\/p>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1699885270783{padding-bottom: 30px !important;}”]\n

“<\/span>Zampata che invece gi\u00e0 possiede la splendida Elisa Balbo<\/b>, pure lei affascinante Micaela, un raggio biondo in mezzo a tutto questo nero scenico. Voce di perla, meravigliosa in ogni registro, emessa con grande maestria e con sapiente uso del fraseggio.“<\/span> <\/p>\n

Liricamente (Ferrara)<\/strong><\/p>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1699885293862{padding-bottom: 30px !important;}”]\n

“C\u2019\u00e8 poi la voce strepitosa di Elisa Balbo”<\/b><\/p>\n

Gli Amici della Musica (Ravenna)<\/strong><\/p>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1699885311991{padding-bottom: 30px !important;}”]\n

“<\/span> la liliale Micaela di Elisa Balbo<\/b>, che nella voce dolce e luminosa sembra proiettare il candore gentile dell\u2019animo e della figura.“<\/span><\/p>\n

Connessi all’Opera<\/strong><\/p>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1699885333037{padding-bottom: 30px !important;}”]\n

“Elisa Balbo<\/b> propone una Micaela moderna, nelle intenzioni e nel canto asciutto e diretto, sorprendente per disinvoltura anche nelle zone pi\u00f9 ardue della tessitura, per una volta degna antagonista e non solo totem della donna angelicata.”<\/p>\n

Opera Click (Ravenna)<\/strong><\/p>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1699885353011{padding-bottom: 30px !important;}”]\n

“<\/span> Elisa Balbo<\/b> traduce il ruolo di Micaela<\/i> con una vocalit\u00e0 pulita e nitida di valido soprano lirico”<\/p>\n

Gli Amici della Musica.net (Lucca)<\/strong><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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